The ‘320° Licht’ installation of URBANSCREEN uses the cathedral-like beauty of the Gasometer Oberhausen as the starting point for a fascinating game with shapes and light. Within a radius of 320 degrees graphic patterns grow and change on the 100-metre high inside wall of the Gasometer. The observer experiences the interplay between real and virtual space, in which the Gasometer seems to dissolve into its own, filigree structures and yet finally always reverts to its clear shape. ’320° Licht’ is achieved with kind project support from Epson Germany. With approx. 20,000 square meters of area played upon, the installation is among the world’s largest and technically most sophisticated interior projections – interconnecting 21 powerful projectors to one projection screen.

Duration (loop): approx. 22 min.

’320° Licht’ is part of the exhibition ‘The Appearance of Beauty’ – the variety of beauty in art that is shown inside the Gasometer. The Gasometer Oberhausen opens this exhibition from 11th April until 30th December.

Please find detailed information on Gasometer Oberhausen (gasometer.de).

Art Director: Thorsten Bauer, Max Görgen, Till Botterweck, Julian Hölscher
Creative Director: Thorsten Bauer
3D Supervisor: Peter Pflug

3D Designer: Till Botterweck
Music & Sound Design: Jonas Wiese (jonas-wiese.de)
Project Manager: Majo Ussat
Documentation Director: Jonas Wiese
Camera: Thorbjörn Geisler
Slider Operator: Marcel Bueckner
Edit: Jonas Wiese
Grading: Thorbjörn Geisler

THX for providing REAL brillant services: Intermediate Engineering (im-en.com)
Projection project partner: Epson Germany (epson.de)
3D Scan support: Leica Geosystems (leica-geosystems.de)
Audio support: audioease.com
Media-Engine support: WINGS VIOSO (europe.avstumpfl.com/en)

An URBANSCREEN.com production
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image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz

image © Wolfgang Volz
image © Wolfgang Volz